In winter 2025-2026 I was an art and publishing resident at Now Place SF(!), a Chinese feminist zine + art book store in San Francisco Chinatown. Between the tiny riso studio here and the various printers I discovered in the Bay Area through this community, I started learning more about riso as a slow and vibrant practice which allows my art to take new forms.









跨 (a-cross) (2026)
Riso zine, 62 pgs
Hand-bound and secured with Chinese knot
Fluo pink, fluo orange, aqua, lime, kelly green

First edition of 60
A Chinese-New Zealander’s reflections on how queerness and bilingual existence begin to make sense of each other.

Containing three essays on language, gender, and identity: 1. 跨 a-cross
2. to speak is to think is to be, 
be more
3. genderfluid

Published as a final residency project with Now Place 此间 in San Francisco Chinatown.





OVERSATURATION! (2026)
Riso comic, 8 pgs
Fluo pink, black, cornflower, yellow, crimson, medium blue

First edition of 20
A mini comic about the internet and how it has changed in the past six years.





Growing Up Around Lazy Susans in Chinese Tāmaki Makaurau (2025)
Zine

Those hundreds—yes, hundreds—of weekends I spent at yum cha while generations of families and dozens of provinces crowded at the door, poured out tongues into each others’ teacups where they steeped richer under the familiar uproar of the motherland... Bouncing my knee under the table until 老妈 got mad, kids who weren’t friends (just family friends) leaning shoulder to shoulder over game consoles, flipping to the start of the Percy Jackson I brought again because the grown-ups’ 聊天 would never, ever end... Where did those forever days go?